given the tinker beside the road. literature and the Writing, process. modernFiction Studies 11 (1965 54-8. Everyone knows times and cultures are plural. What is wrong with golf? Henry warms the car up to go into town while Elisa gets herself ready. For most women, liberation was a bitter fight usually ending in defeat.
Elisa realizes her hopes for equality are nothing but a dream because she has been betrayed by her basic nature and by men. What would you do differently, you up on your beanstalk looking at scenes of all peoples at all times in all places?
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However hypnotized you and your people are, you will be just as dead in their war, our war. Elisa's appearance, actions, and speech depict the frustration women felt in Steinbeck's masculine world of the 1930's. New York: Macmillan, 1989. When you climb down, would you dance any less to the music you love, knowing that music to be as provisional as a bug? If you descend the long rope-ladders back to your people and time in the fabric, if you tell them what you have seen, and even if someone cares to listen, then what? Mordecai Marcus says that Elisa's first response to the tinker is that of a man, for she resists giving him work (56). After this conversation with her husband, she goes back to her masculine role of transplanting the flowers. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat and a big apron that hides her printed dress (Steinbeck 330). When John Steinbeck's short story "The Chrysanthemums" first appeared in the October 1937 edition.
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